RADAR a mobile / web series that I co-created and produce enters its' second season. New episodes ever Wed for the next 12 weeks www.babelgum.com/radar
.: wbp
I often post about data viz. Here’s a nice animated vid that compares internet data across services, outlets and country.
126 million blogs
12.2 billion videos viewed monthly on youTube (US)
1.4 billion email users
1.73 billion internet users
JESS3 / The State of The Internet from Jesse Thomas on Vimeo.
MIT’s Futures of Entertainment conference is held each fall. I had the privilege of speaking at the event in 2008. It’s an amazing mix of people from various sides of the industry. This past year the conference had a number of excellent transmedia focused panels. In the following panel the team behind Purefold give an inside look at the project.
From MITs site
Drawing together members of Ag8, creative collaborators, and representatives from a major brand sponsor, this panel will examine the project from a variety of perspectives. Exploring the motivations for building a transmedia project around Blade Runner, the panel looks at the potential transmedia might offer for revitalizing older properties. It explores the roles different stakeholders play in the conception and design of a project, as well as the challenges of meeting varying desires and ambitions. The panel considers whether some genres are better suited for transmedia properties than others, and looks at how to extend existing properties with substantial fan bases, considering questions of co-creation and fan/audience production.
Moderator: Geoffrey Long – Gambit-MIT
Panelists include: David Bausola – Co-founder of Ag8; Tom Himpe – Co-founder of Ag8; Mauricio Mota – Chief Storytelling Officer, co-founder The Alchemists; C3 Consulting Practitioner; Leo Sa – Petrobras
I’ve been tracking thesixtyone for a bit. The first version of the site matched social gaming with music discovery. The newest incarnation has taken a slightly different approach one which is more discovery focused with a mix of simple challenges called quests that encourage you to listen to music and gain reputation points.
The part I love about the new design is the simplicity and richness of the interface.
Of course you could look at the picture on the box but this is a cool use of AR to demo the contents prior to purchase.
Meet “Yuki-taro, the friendly snowbot” – for a million yen you can have a Snow Removal Robot that clears snow while creating igloo bricks, is GPS enabled and uses twin cameras to see.
(hat tip inventorspot)
Very much looking forward to the release of Bioshock 2 which comes out this week. I’d love to get my hands on the game bible that I’ve heard rumors about – Bioshock is a rich game world while at the same time haunting, beautiful and bizzare.
The WorkBook Project joined forces with Filmmaker Magazine to produce a number of daily videos from Park City. SABI filmmakers Zak Forsman and Kevin K. Shah speak with Ted Hope, Jon Reiss, Mynette Louie (Children of Invention) and Linas Phillips (Bass Ackwards) to explore the solutions that are emerging for independent filmmakers – featuring some of the insights and actions that came from the 2010 Filmmaker Summit.
A visual snapshot of internet consumption – provides an interesting look at the state of the internet in 2009.
I received a mention in a New York Times article entitled Talking About a Revolution (for a Digital Age) The article also references William Castle and the experiences he created around his work. Castle was an inspiration for some of the Cinema ARG experiences I did around my last film Head Trauma. DIY and the concept of transmedia were popular topics at Sundance this year and both have been popping up more and more in the press. Here’s a trailer from 1955 where Castle – always the showman – is plugging the experience around his newest film The Tingler.
I spent the last few days at the Sundance Film Festival. When I’m at the fest I always make it a point to checkout the Frontier which is located in the basement of a mall. Its a sprawling space that brings together a nice mix of new media, tech and art. Here are a few pics.
More than a decade ago it was “search” that was driving innovation and large investments in both infrastructure and talent. When Google first started indexing unique URLs in 1998 there were already 26 million. Two years later the amount of indexed pages had crossed the billion mark. Flash forward to this winter and the amount of unique URLs exceeds 1 trillion.
We are swimming in a sea of data. On average Americans wade through 34 gigs of information a day according to a recent report by researchers at the University of California, San Diego. The ability to “filter” this information will drive future innovation. How people are posting, commenting and clicking will greatly impact the ways films are created, curated and shared over the next decade.
The desire to tap into social data is evident in recent deals that have Google, Microsoft and Yahoo lining up to access Twitter’s feed in an effort to improve their own traditional search results. The fact that three leaders in search are interested in something as small as 140 characters of information points to the value of social streams. From breaking news instantly, in many cases before traditional outlets, the power of word of mouth threatens to devalue massive ad spends by the studios; the ability of people to connect and communicate in real time through handheld devices is challenging many established industries while at the same time enabling a new form of social curation.
Enter The Magical Mystery Chambers – 27 track mashup – free stream and download
URDB is an awesome site that enables anyone to set world records. “The definitive site for human achievement.” We had the honor of working with Dan and Corey the co-founders of URDB for an episode of RADAR back during season One. If you have a world record in you itching to get out head over to URDB.org and join in the fun.
I’ve always wanted a remote controlled helicopter especially one with a camera! The Parrot AR.Drone turns your iPhone or iTouch into a helicopter remote control. And if that wasn’t cool enough the AR.Drone taps the AR capabilities of the iPhone or iTouch to provide a cool augmented gaming experience.
20×200 brings limited edition art to the masses. The site has a threadless type vibe minus the competition but I think sites like Etsy, threadless and now 20×200 are wonderful discovery platforms for collectible and cool items. Would love to see something like this pop up for experimental visual works.
