As chips get smaller and resolution increases we’re not far off from mobile phones that will shoot HD or small hand held projectors that will enable screenings virtually anywhere. The following is a concept design by Miika Mahonen for a Nokia device called the Pulse. Even though it doesn’t exist it’s not hard to imagine that it soon will. But it does tease an interesting range of possibilities.
Clever way to celebrate a 20th anniversary! Empire Magazine has created this fun cryptic canvas game. Which no doubt has folks spending a heck of a lot of time on the empire site. Can you id the 50 hidden movie titles in this painting? Wanna play?
I’m always on the hunt for ways to aggregate the data that surrounds my life. A way to combine my online activities while streamlining the discovery of things that I find interesting. Then there’s the desire to share those items with others and in the process see what interests them.
I’ve tried various start pages and feed aggregators. Some have been browser based others desktop apps. I’ve signed up, logged on and tested mores services and solutions then I care to recall. Which brings me to my current obsession.
Streamy is a hybrid – part feed reader, part start page, part social aggregator. This incarnation is relatively new and currently in beta. It’s an impressive service with a nice degree of customization. Where Streamy shines is in the way that it integrates IM (aim, live, gtalk, yahoo), facebook, twitter, digg, flickr, and friendfeed in addition to normal feed reader functionality. The interface is smooth and intuitive making it easy to get up and running. The final ingredient that makes Streamy standout is the ease of sharing stories with others on the platform. There are friend sharing and follow features, ways to create groups along with IM and Chat functionality that is dedicated to the Streamy platform. The following is a screen cast that provides an overview of the service.
This post from BusinessWeek touches on some interesting issues regarding copyright and the emerging realities of a real-time web.
Copyright law wasn’t written with today’s content consumption in mind. The way online video copyright functions is based on a reading of the 10-year-old Digital Millennium Copyright Act that equates video hosting sites with Internet service providers. That law provides a “safe harbor” for hosts who respond to copyright claims by taking down infringing content “expeditiously.”
There doesn’t seem to be widespread motivation to modernize that process. Viacom is suing YouTube for $1 billion , claiming YouTube should take more responsibility than the current reading of DMCA requires — but that’s plodding along in the courts . Meanwhile, Internet users are sharing and consuming content at a furious rate. And what’s being called the “real-time web” is even less equipped to deal with copyright infringement. READ MORE
Next month I’ll be attending the Open Video Conference in NYC. I’ll be speaking with producer Ted Hope about the “evolution of storytelling.” In other words how is technology and changes in media consumption impacting the art and craft of telling stories.
Got the vinyl out and spinning some pixies. This song reminds me of a time when I was shooting film with Mario Sorrenti, Amber Valletta, and Juliette Binoche. Spring wound bolex, reversal film stock, southern plantations, prop planes over panama, and many long hours on islands in the middle of nowhere.